Nació en 1973 en Tucumán, Argentina.
Estudió arquitectura en la Universidad Nacional de Buenos Aires y recibió títulos de postgrado de la Escuela Superior de Bellas Artes Ernesto de la Cárcova, Buenos Aires (2000) y de la Staatliche Hochschule für Bildende Künste -Städelschule-Frankfurt am Main (2003). En 2009, asistió al Programa Internacional de Estudios Espaciales en el Centro Ames de la NASA en Silicon Valley CA, y ese mismo año recibió el prestigioso Premio Calder.
Entre sus numerosas exposiciones desde finales de la década de 1990, las presentaciones individuales de Saraceno incluyen: Red Brick art Museum, Pekín (2024); Serpentine Galleries, Londres (2023); The Shed, NY (2022); Cisternerne, Copenhague (2020); Palazzo Strozzi, Florencia (2020); MAAT Museum of Art, Architecture and Technology, Lisboa (2018); Fosun Foundation, Shangai (2018); Palais de Tokyo, París (2018); Baltimore Museum of Art, Baltimore (2017); Museo de Arte Moderno, Buenos Aires (2017); SFMOMA San Francisco Museum of Modern Art, San Francisco (2016); Solutions COP21, Grand Palais, París (2015); 21er Haus, Viena (2015); Cheorwon Peace Observatory, DMZ Cheorwon-gun (2014); K21 Kunstsammlung Nordrhein-Westfalen, Ständehaus, Dusseldorf (2013); Metropolitan Museum of Art, Nueva York (2012); Hangar Bicocca, Milán (2012); Hamburger Bahnhof – Museum für Gegenwart, Berlín (2011); Kemper Art Museum at Washington University, St. Louis (2011); MACRO Museo d’Arte Contemporanea, Roma (2011); Walker Art Center, Minneapolis (2009); Statens Museum for Kunst, Copenhague (2009); Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, Luxemburgo (2009); Barbican Art Centre, Londres (2006).
Participó de múltiples muestras colectivas, en EXPO 2025, Osaka (2025); Castello di Rivoli (2024); Philharmonie, Paris (2022); Rijksmuseum, Amsterdam (2922); Fundacion PROA, Buenos Aires (2022); CCK, Buenos Aires (2021); The Shed, Nueva York (2021); Serpentine Gallery, Londres (2021); Villa Borghese, Roma (2020); Museo Nacional Thyssen Bornemisza, Madrid (2019); Musée du Louvre, Paris (2015); Palais de Tokyo, Paris (2015); M+, Hong Kong (2013); KUNSTEN, Aalborg (2010); Barbican, Londres (2009); entre otras.
Saraceno ha participado en numerosos festivales y bienales, como la primer Bienal de Arte de Enova, Langfang (2024) – La Trienal de Gangwon (2024) – La Bienal de Tailandia, Chiang Rai (2023) – La Fundación Aerocene para la 17ª Exposición Internacional de Arquitectura – La Biennale Architettura (2020); la 58ª Exposición Internacional de Arte – La Biennale di Venezia, Venecia (2019), y la 53ª Exposición Internacional de Arte – La Biennale di Venezia, Venecia (2009).
Vive y trabaja en Berlín.
Exposiciones individuales
2026
Ancestral Futures, Haus der Kunst, Munich, Alemania.
Interwoven, New Taipei City Art Museum , Taiwan.
2025
Tomás Saraceno i, Neugerriemschneider, Berlin, Alemania.
2024
ANIMA∞LE, Pinksummer, Génova, Italia.
Worldings , Andersen’s Contemporary, Copenhague, Dinamarca.
Complementarities, Red Brick Art Museum, Pekín, China.
Live(s) on Air, Tanya Bonakdar Gallery, Los Angeles, USA.
Life of Webs, Espace Muraille, Ginebra, Suiza.
2023
Tomás Saraceno in Collaboration: Web(s) of Life, Serpentine Galleries, Londres, Reino Unido.
Tomás Saraceno: Entangled Air, Haggerty Museum of Art, Milwaukee, USA. Curated by Somesh Roy.
2022
Tomás Saraceno: Ocean(s) of Air, Museum of Old and New Art, Hobart, Tasmania, Australia.Curated by Emma Pike and Olivier Varenne.
Tomás Saraceno: Particular Matter(s), The Shed, Nueva York, USA. Curated by Emma Enderby.
Silent Autumn, Tanya Bonakdar Gallery, Nueva York, USA.
2021
Inter+Play Season 2, Towada Art Center, Towada, Japón. Curated by Kodama Kanazawa and Meruro Washida.
We do not all breathe the same air, Neugerriemschneider gallery, Berlin, Alemania.
AnarcoAracnoAnacroArcano, Parco Archeologico della Neapolis, Syracuse, Italia. Curated by Paolo Falcone.
Du Sol au Soleil, Domaine des Etangs, Massignac, Francia. Curated by Rebecca Lamarche – Vadel.
2020
Song for the Air, Hessisches Landesmuseum Darmstadt, Darmstadt, Alemania. Curated by Martin Faass.
Moving Atmospheres, Garage Atrium Commission, Moscú, Rusia. Curated by Iaroslav Volovod.
Event Horizon, Cisternerne, Copenhague, Dinamarca. Curated by Sara Hatla Krogsgaard.
Aria, Palazzo Strozzi, Florencia, Italia. Curated by Arturo Galansino.
Fly with Aerocene Pacha, a project by Tomàs Saraceno, produced by the Aerocene Foundation for CONNECT, BTS, curated by DaeHyung Lee, Seúl, Corea del Sur. Human free flight, Salinas Grandes, Argentina; Film screenings and exhibition “Vuela con Aerocene Pacha”, Centro Cultural Kirchner, Buenos Aires.
2019
Algo -r(h)i(y)thms, Esther Schipper Gallery, Berlin, Alemania.
Tomás Saraceno, Gallery Hyundai, Seúl, Corea del Sur.
Tomás Saraceno, Tanya Bonakdar Gallery, Los Angeles, USA.
2018
ON AIR, Palais de Tokyo, Paris, Francia. Curated by Rebecca Lamarche -Vadel.
Albedo, Pinksummer Contemporary Art, Génova, Italia.
Solar Rhythms, Tanya Bonakdar Gallery, Nueva York, USA.
A Thermodynamic Imaginary, MAAT, Museum of Art, Architecture and Technology, Lisboa, Portugal. Curated by Pedro Gadanho and Rita Marques.
Aerographies, Fosun Foundation, Shanghai, China.
2017
Gravitational Waves, Z33, Genk, Bélgica. Curated by Jan Boelen.
Entangled Orbits, Baltimore Museum of Art, Baltimore, USA. Curated by Kristen Hileman.
Horizonte de eventos, Ruth Benzacar Galería de Arte, Buenos Aires, Argentina.
Our Interplanetary Bodies, Asia Culture Centre, Gwangju, Corea del Sur. Curated by Sung Won Kim.
Aerosolar Journeys, Museum Haus Konstruktiv, Zürich, Suiza. Curated by Sabine Schaschl.
How to entangle the universe in a spider web, Museo de Arte Moderno, Buenos Aires, Argentina. Curated by Victoria Noorthoorn.
Re -opening In Orbit, K21 Ständehaus, Düsseldorf, Alemania. Curated by Juliane Von Herz.
Aerosolar Journeys, Wilhelm -Hack Museum, Ludwigshafen, Alemania.
2016
Stillness in Motion. Cloud Cities, SFMOMA, San Francisco Museum of Modern Art, San Francisco, USA.
163,000 Light Years, MARCO, Museum for Contemporary Art, Monterrey, Mexico.
Solar Bell Ensemble, Contemporary Arts Center, Cincinnati, USA.
Aerocene, Esther Schipper, Berlin, Alemania.
Many suns and worlds, Vanhaerents Art Collection, Bruselas, Bélgica.
Dark Cosmic Web, Pinksummer Contemporary Art, Roma, Italia.
Cloud City installation, Oklahoma Contemporary Arts Center, Campbell Art Park, Oklahoma City, USA.
Interwoven, New Taipei City Art Museum , Taiwan.
2015
Aerocene , Solutions COP21, Grand Palais, Paris, France, United Nations Climate Change Conference COP21.
Aerocene, Espace Muraille, Ginebra, Suiza. Curated by Laurence Dreyfus, Caroline and Eric Freymond.
Arachnid Orchestra. Jam Sessions, NTU Centre for Contemporary Art, Singapur. Curated by Ute Meta Bauer and Anca Rujoiu.
Becoming Aerosolar, Haus21er, Viena, Austria. Curated by Mario Codognato.
14 Billions (Working Title), SKMU Sørlandets Kunstmuseum, Kristiansand, Noruega. Curated by Else – Brit Kroneberg.
Hybrid solitary… semi -social quintet… on cosmic webs…, Tanya Bonakdar Gallery, Nueva York, USA.
2014
Cosmic Jive, Tomás Saraceno: The Spider Sessions, Villa Croce, Génova, Italia. Curated by Ilaria Bonacossa and Luca Cerizza.
Iridescent Planet, Pinksummer Contemporary Art, Génova, Italia.
Real DMZ Project, Cheorwon Peace Observatory, DMZ, Corea del Sur. Co-curated by Sunjung Kim and Nikolaus Hirsch.
2013
In Orbit, K21 Ständehaus, Düsseldorf, Alemania. Curated by Marion Ackermann and Susanne Meyer -Büser.
Social .. Quasi Social .. Solitary .. Spiders … On Hybrid Cosmic Webs, Esther Schipper Gallery, Berlin, Alemania.
Tomás Saraceno, Andersen’s Contemporary, Copenhague, Dinamarca.
2012
Cloud City, Roof Garden Installation, Metropolitan Museum of Art, Nueva York, USA. Curated by Anne L. Strauss.
On Space Time Foam, Hangar Bicocca, Milán, Italia. Curated by Andrea Lissoni.
Cloud Cities, Maison Hermès, Tokyo, Japón. Curated by Rodrigo Alonso.
Tomás Saraceno, Taidehalli Kunsthalle Helsinki, Finlandia. Curated by Maija Koskinen.
Air-Port -City/Cloud Cities, Tanya Bonakdar Gallery, Nueva York, USA.
2011
Cloud Cities, Hamburger Bahnhof-Museum für Gegenwart, Berlin, Alemania. Curated by Britta Schmitz.
Cloud -Specific, Kemper Museum of Contemporary Art, St. Louis, USA. Curated by Meredith Malone.
Cloudy Dunes. When Friedman Meets Bucky On Air -Port -City, MACRO, Museo d’Arte Contemporanea, Roma, Italia. Curated by Luca Massimo Barbero.
Labor, K20 Grabbeplatz, Nordrhein -Westfalen, Düsseldorf, Alemania.
Director Marion Ackermann.
2010
Cloud Cities: Connectome, Tanya Bonakdar Gallery, Nueva York, USA.
14 Billions (working title), Bonniers Konsthall, Estocolmo, Suecia.
Cloud -Cities, Pinksummer Contemporary Art, Génova, Italia.
Tomás Saraceno, Baltic Centre for Contemporary Art, Gateshead, UK. Curated by Alessandro Vincentelli.
Sculpture project ROSSMARKT3, Frankfurt, Alemania. Curated by Juliane von Herz.
Tomás Saraceno: Lighter than air, Blaffer Art Museum, University of Houston, USA. Curated by Yasmil Raymond.
From Camogli to San Felipe, spiders weaving stars, Fondazione Pierluigi e Natalina Remotti, Camogli, Italia.
Tomás Saraceno, Andersen’s Contemporary, Copenhague, Dinamarca.
2009
Tomás Saraceno: Lighter than air, Walker Art Center, Minneapolis, USA. Curated by Yasmil Raymond.
Tomás Saraceno, MUDAM Musée d‘Art Moderne Grand-Duc Jean, Luxemburgo. Commissioned by Marie -Noëlle Farcy.
Cloudy House, Andersen’s Contemporary, Berlin, Alemania.
2008
Galaxies forming along filaments, like droplets along the strands of a spider webs, Tanya Bonakdar Gallery, Nueva York, USA.
Cloudy Dunes, Fondazione Garrone, Génova, Italia.
2007
Opening, AEREA Christian Larsen, Estocolmo, Suecia.
Biosphere MW32 Air -Port -City, Pinksummer Contemporary Art, Génova, Italia.
Air-Port -City, De Vleeshal, Middelburg, Países Bajos.
Microscale, Macroscale and Beyond: Large-Scale Implications of Small-Scale Experiments, Berkeley Art Museum, Berkeley, USA.
2006
Air-Port -City, Tanya Bonakdar Gallery, Nueva York, USA.
Cumulus, Barbican Art Centre, Londres, UK.
On Water, Centre d’Art Santa Monica, Barcelona, España.
Cloudy Dunes_Air -Port -City, Attitudes – espace des arts contemporains, Ginebra, Suiza.
Infinitive Actives, Portikus, Frankfurt, Alemania.
2004
On -Air, Pinksummer Contemporary Art, Génova, Italia.
2003
In-migration, University of Kaiserslautern, Kaiserslautern, Alemania.
2000
612 Planetas, Parque Planetario, Buenos Aires, Argentina.
1998
Luces de estrella, Escuela Nacional de Bellas Artes Ernesto de la Cárcova, Buenos Aires, Argentina.
Exposiciones colectivas
2024
Mutual Aid: Art in collaboration with nature. Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Italy. Curated by Francesco Manacorda and Marianna Vecellio.
Deep Distance Tender Touch. Kunst- und Kulturstiftung Opelvillen Rüsselsheim, Germany. Curated by Jochem Hendricks and Dr. Beate Kemfer.
Fluss Bad Berlin, Bauakademie Schinkelplatz, Berlin, Germany.
The Lives of Animals, Museum van Hedendaagse Kunst Antwerpen (M HKA), Antwerp, Belgium. Curated by Joanna Zielińska.
Widening the Lens: Photography, Ecology, and the Contemporary Landscape, Carnegie Museum in Pittsburgh, PA, USA. Curated by Dan Leers with Keenan Saiz.
Luca Massimo Barbero. Un Diavolo Amico, Historical Archives of the Contemporary Arts, La Biennale di Venezia, Italy.
Radical Playgrounds, Berliner Festspiele, Berlin, Germany. Curated by Joanna Warsza. Daegu Forum III: Whose Forest, Whose World, Daegu Art Museum, Daegu, South Korea.
Time Travelers: Foundations, Transformations, and Expansions, TMA Centennial, Tucson Museum of Art, Arizona, USA.
2023
Argentina. What the night tells the day, Padiglione d’Arte Contemporanea, Milan, Italy. Curated by Andrés Duprat and Diego Sileo.
WORLD FRAMED: Contemporary Drawing Art of the Schering Stiftung. Kupferstichkabinett, Staatliche Museen zu Berlin, Germany. Curated by Jenny Graser. Concerning Nature, Tanya Bonakdar Gallery, New York, USA.
Frieze Sculpture, London, UK. Au bout de mes rêves: Cloud Cities: mise-en-Aéroscène, Lille. Curated by Vanhaerents Art Collection.
Arachnodrone, MIT Museum, Massachusetts, USA. Curated by MIT Center for Art, Science & Technology.
Compulsive Desires: On Lithium Extraction and Rebellious Mountains. Galeria Municipal do Porto, Portugal. Curated by Marina Otero Verzier.
Renaissance 3.0, ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany. Curated by Peter Weibel.
the power and pleasure of books and possessions. neugerriemschneider, Berlin, Germany.
Gedanken spielen Verstecken. Haus Kunst Mitte, Berlin, Germany. Curated by Rebecca Raue.
So it appears, Institute for Contemporary Art, Virginia Commonwealth University, Richmond, USA.
2022
Brain(s), when matter becomes mind. Fundación Telefónica, Madrid, Spain. Curated by Emily Sargent and Ricard Solé.
Fetishizing the Future. Utopias of the third dimension. Zeppelin Museum, Friedrichshafen, Germany. Curated by Ina Neddermeyer and Jürgen Bleibler.
Musicanimale: le grand bestiaire sonore. Philharmonie de Paris, France. Curated by Marie-Pauline Martin and Olivier Mantei.
AIR. Queensland Art Gallery of Modern Art (QAGOMA). Brisbane, Australia. Curated by Geraldine Barlow.
Onderkruipsels, Rijksmuseum, Amsterdam, Netherlands. Curated by Jan de Hond and Julia Kantelberg.
In the Line of Flight, for Possible Worlds. Deji Art Gallery, Nanjing, China. Curated by Ai Lin and Zhang Ga.
Homosphere. Kunsthalle Mainz, Germany. Curated by Stefanie Böttcher.
Back to the Roots: Decolonize Nature. WE ARE AIA, Zürich, Switzerland. Curated by Gianni Jetzer and Martina Huber.
Unknown Unknowns. Triennale di Milano, Italy, 2022. Curated by Ersilia Vaudo.
Un Panorama de este Mundo, Acute Art & Fundación PROA, Buenos Aires, Argentina. Curated by Daniel Birnbaum.
Visions: An Outdoor Augmented Reality Art Exhibition, Acute Art & National Gallery Singapore for the Light To Night Exhibition, Singapore. Curated by Daniel Birnbaum.
2021
Drawing Out, DE LEÓN, Bath, UK. Simbiológica. Prácticas artísticas en un planeta en emergencia. CCK, Buenos Aires, Argentina. Curated by Valeria González.
New Elements. LABORATORIA Art & Science Foundation, New Tretyakov Gallery, Moscow, Russia. Curated by Daria Parkhomenko and Dietmar Offenhuber.
CONTACT(LESS), PERFORMATIVE.01. MAXXI L’Aquila, Italy.
The Sun Machine is Coming Down, ICC / Berliner Festspiele, Berlin, Germany.
Organised by Thomas Oberender. Aerodream. Cité de l’architecture & du patrimoine, Paris, France. Curated by Valentina Moimas and Stéphanie Quantin-Biancalani.
Biocenosis21, IUCN World Conservation Congress and La Traverse, Marseille, France.
Organized by Art of Change 21. PANORAMAProcida, ITALICS, Procida, Italy. Curated by Vincenzo de Bellis.
Vibrating Clouds. Design Society Shenzhen, China. Curated by Yinxuan Cai.
The Looking Glass, The Shed and Acute Art, New York, USA. Organized by Daniel Birnbaum and Emma Enderby.
Back to Earth, Serpentine Gallery, London, UK. Curated by Rebecca Lewin and Hans Ulrich Obrist.
2020
Unreal City, Acute Art with Dazed Media, London, UK. Curated by Daniel Birnbaum.
Down to Earth, part of Immersion by Berliner Festspiele at Gropius Bau, Berlin, Germany.
Initiated by Thomas Oberender. Co-curated by Julia Badaljan, Thomas Oberender, Anja Predeick, Tino Sehgal, Jeroen Versteele. Curatorial associates Descha Daemgen, Stefanie Hessler, Marc Pohl, Joulia Strauss, Frédérique Aït-Touati Back To Nature.
Villa Borghese, Rome, Italy. Curated by Costantino D’Orazio.
Zin Ex. From Abstraction to Algorithm. Tabakalera International Centre For Contemporary Culture, San Sebastian, Spain. Curated by Florian Wüst.
Les araignées, lucioles et papillons débarquent, Musée en Herbe, Paris, France. Curated by Danaé Arlupas.
Solare, Vendemmia d’Artista series for Ornellaia, Bolgheri, Italy.
Site-specific installation and limited edition wine label. Invisible, Science Gallery at Trinity College Dublin, Dublin, Ireland. Curated by Sandra Ross.
Floating Utopias. Lunds konsthall, Lund, Sweden. Co-curated by Artúr van Balen, Fabiola Bierhoff and Anna Hoetjes.
Là où commence l’horizon, Kramer Gallery, Paris, France. Curated by Laurence Dreyfus.
2019
O-della materia spirituale dell’arte, MAXXI Rome, Rome, Italy. Curated by Bartolomeo PIetromarchi.
Il Ritmo dello Spazio / The Rhythms of Space. From Marconi to Gravitational Waves, Museo della Grafica, Pisa, Italy. Curated by Stavros Katsanevas.
More than Humans: Tomás Saraceno and Dominique Gonzalez-Foerster, Museo Nacional Thyssen Bornemisza, Madrid, Spain. Curated by Stefanie Hessler.
The World to Come: Ecology as a New Policy. 2030–2100, Garage Museum of Contemporary Art, Moskow, Russia. Curated by Snezhana Krasteva and Ekaterina Lazareva.
Dark Matter: 95% of the Universe is Missing, London Science Gallery, London, UK. Curated by Sandra Ross.
Floating Utopias. Art Science Museum, Singapore. Co-curated by Artúr van Balen, Fabiola Bierhoff and Anna Hoetjes, and the ArtScience Museum team.
Tomorrow is the Question, at ARoS Aarhus Kunstmuseum, Aarhus, Denmark. Curated by Luise Faurschou.
2018
Foresta Urbana, Piazza Bologni, Palazzo Belmonte Riso, Palermo, Italy. Curated by Paolo Falcone.
Victor Papanek: The Politics of Design, Vitra Design Museum, Weil am Rhein, Germany.
Liquid City, Triennale Bruges, Belgium. Curated by Till-Holger Borchert and Michel Dewilde.
Floating Utopias. NGBK, Berlin, Germany. Accompanying the symposium Floating ideologies – Material Disobedience. Organized by the neue Gesellschaft für bildende Kunst.
2017
Winter Journey, Jardins du Château de Versailles, France. Curated by Palais de Tokyo (Rebecca Lamarche-Vadel).
Into the Cosmos, MAXXI, Rome, Italy. Curated by Hou Hanru.
Between Spaces, Center for Art and Public Space, Berlin, Germany. Curated by Katja Assmann.
Elbphilharmonie Revisited, Deichtorhallen, Hamburg, Germany.
2016
The Calder Prize 2005-2015, Pace Gallery, London, UK.
Architecture of Life, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, USA. Curated by Lawrence Rinder.
Spinnen, Senckenberg Museum, Frankfurt, Germany. Curated by Peter Jäger. Surface and Beyond, Dirimart, Istanbul, Turkey. Curated by Heinz Peter Schwerfel.
Collezionismo Contemporaneo, The Museum of Palazzo Fortuny, Venice, Italy.
2015
Space Without Rockets, Rubin Art Center, White Sands, New Mexico, USA. Curated by Rob La Frenais.
Brève histoire de l’avenir, Musée du Louvre, Paris. Curated by Jean de Loisy.
homecomings: PROJECTIVE SPACE, Berlin, Germany. Curated by Cassandra Edlefsen
Lasch. Le Bord des Mondes, Palais de Tokyo, Paris, France. Curated by Rebecca Lamarche-Vadel.
HausRucker-Co, Architekturutopie Reloaded, Haus am Waldsee, Berlin, Germany. Curated by Katja Blomberg.
Pequod, 11 Columbia, Monaco. Cold War Hot Peace, Slought, Philadelphia, USA. Curated by Florian Lüdde.
Der entfesselte Raum, Gewerbemuseum, Winterthur, Switzerland.
The Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium.
Synthesis, Reykjavik Art Museum, Reykjavik, Iceland. Curated by Ingibjörg Jónsdóttir.
Diese Kunst, Galerie der Stadt Sindelfingen, Sindelfingen, Germany. Curated by Ingrid BurgbacherKrupka.
Haus-Rucker-Co, Architekturutopie Reloaded, Haus am Waldsee, Berlin, Germany.
2014
The Net: Weaving Webs in Art, Kunsthalle Kiel, Kiel, Germany. Curated by Anette Hüsch.
INSERT 2014: The Sharp Edge of the Global contemporary, Indira Ghandi Centre of the Arts, New Delhi, India. Curated by Raqs Media Collective.
Attention Economy, Kunsthalle Wien, Vienna, Austria. Curated by Nicolaus Schafhausen.
Vanitas. Motive des Vergänglichen in der zeitgenössischen Skulptur, Georg Kolbe Museum, Berlin, Germany. Curated by Nathalie Küchen.
City and Nature, Sapporo International Art Festival 2014, Sapporo, Japan. Curated by Sachiko Namba.
Lichterfest (Festival of Lights), K21 Ständehaus, Düsseldorf, Germany.
Second | Fourteen Highlight, Salon Kennedy, Frankfurt, Germany. Curated by Friedrich Gräfling and Johanna Stemmler.
The Anthropocene Monument, Les Abattoirs, Toulouse, France. Curated by Bruno Latour.
Between the lines, Tanya Bonakdar Gallery, New York, USA.
Harvest, Queensland Art Gallery of Modern Art (QAGOMA), Brisbane, Australia. Curated by Ellie Buttrose.
2013
Moving. Norman Foster on Art, Carré d’Art – Musée d’art contemporain de Nîmes, France. Curated by Norman Foster.
Mobile M+: Inflation!, M+ Museum for Visual Culture, Hong Kong. Curated by Tobias Berger.
Emscherkunst, Zeche Nordstern, Gelsenkirchen/Essen, Germany. Curated by Florian Matzner.
Tomás Saraceno, Solar Bell, Portscapes 2, a series of art projects alongside the construction of Maasvlakte2, Rotterdam, Netherlands. Curated by Theo Tegelaers.
What am I doing here, Esbjerg Art Museum, Esbjerg, Denmark. Curated by Nina Saunders and Ernesto Spinelli.
I know you, Irish Museum of Modern Art, Dublin, Ireland. Curated by Nikolaus Hirsch.
Reflets – Un Morceau de Pinksummer Genes, 11 Columbia, Monaco.
Novela Festival, Toulouse, France.
2012
Wir sind alle Astronauten – Universum Richard Buckminster Fuller im Spiegel zeitgenössischer Kunst (We are all astronauts – Universe Richard Buckminster Fuller reflected in contemporary art), Zeppelin Museum Friedrichshafen, Germany. Curated by Roland Nachtigäller.
Wonder works – Masterpieces from Danish private collections, Kunsten – Museum of Modern Art Aalborg, Aalborg, Denmark.
Intersections: Science in Contemporary Art, Weizmann Institute of Science, Rehovot, Israel. Curated by Cathy Wills.
Nature’s Toolbox: Biodiversity, Art and Invention, the Field Museum, Chicago, USA. Curated by Randy Jayne Rosenberg.
2011
I’ve dreamed about, MUDAM (Musée d’Art Moderne Grand-Duc Jean), Luxembourg- Kirchberg, Luxembourg. Curated by Marie-Noelle Farcy.
The Divine Comedy, Harvard Graduate School of Design, Cambridge, USA.
Curated by Stanford Kwinter. 20 Jahre Gegenwart, MMK Museum für Moderne Kunst Frankfurt, Frankfurt, Germany. Curated by Susanne Gaensheimer.
Cloud Cities, Perth International Arts Festival, Perth, Australia.
Redesigning Nature, Städtische Galerie Bremen, Bremen, Germany. Curated by Susanne Witzgall, Florian Matzner, Iris Meder.
The End of Money, Witte de With, Center for Contemporary Art, Rotterdam, Netherlands. Curated by Juan Gaitan.
Private/Corporate VI. Die Sammlung Juan & Patricia Vergez, Buenos Aires, im Dialog mit der Daimler Kunst Sammlung, Stuttgart/Berlin, Daimler Contemporary, Haus Huth, Berlin, Germany.
Wir sind alle Astronauten – Universum Richard Buckminster Fuller im Spiegel zeitgenössischer Kunst (We are all astronauts Universe Richard Buckminster Fuller reflected in contemporary art), MARTA Museum, Herford, Germany. Curated by Marcus Richter.
Merz World: Yona Friedman & Tomas Saraceno, Cabaret Voltaire, Zürich, Switzerland. Curated by Adrian Notz.
2010
Redesigning Nature, Künstlerhaus Wien, Vienna, Austria. Curated by Susanne Witzgall, Florian Matzner, and Iris Meder.
Realidad y Utopía, Argentiniens künstlerischer Weg in die Gegenwart, Akademie der Künste, Berlin, Germany. Curated by Diana Beatriz Wechsler.
Movin’ Space, KUNSTEN Museum of Modern Art Aalborg, Aalborg, Denmark. Curated by Birgit Hessellund.
Tales of Resistance and Change. Artists from Argentina, Frankfurter Kunstverein, Frankfurt, Germany. Curated by Rodrigo Alonso.
Rethink Contemporary Art and Climate Change, Rogaland Art Museum, Stavanger, Norway. Curated by Marianne Torp.
Art for the world, World Expo Shanghai, Shanghai, China.
Afuera, Centro Cultural España Córdoba, Córdoba, Argentina, Art Festival. Curated by Rodrigo Alonso.
Radical conceptual – Positionen aus der Sammlung des MMK, MMK, Frankfurt, Germany. Curated by Susanne Gaensheimer.
Klimakapseln, Museum für Kunst und Gewerbe, Hamburg, Germany. Curated by Friedrich von Borries.
Languages and Experimentations. Young artists in a contemporary collection, MART, Rovereto, Italy. Curated by Giorgio Verzotti.
In Defense of Nature, East Ayrshire Museum, Ayrshire, Scotland. Bianco e Nero, Udine Art Festival, Udine, Italy.
Between here and there: Modern and Contemporary Art from the Permanent Collection, Pérez Art Museum Miami, Miami, USA. Curated by Peter Boswell.
2009
Biosphere, Statens Museum for Kunst, Copenhagen, Denmark (in the framework of the cycle «RETHINK Relations»). Collaboration between the National Gallery of Denmark, Nikolaj Copenhagen Contemporary Art Centre, Den Frie Centre of Contemporary Art and The Alexandra Institute. WANAS 2009: FOOTPRINTS, Wanas Foundation, Knislinge, Sweden.
In Defense of Nature, Barbican Art Center, London, UK. Life Forms, Bonniers Konsthall, Stockholm, Sweden. Curated by Sara Arrhenius.
Labyrinth: Freiheit, Franzensfeste Fortress, Fortezza, Italy. Curated by Marion Piffer.
Earth – Art of a Changing World, Royal Academy of Arts, London, UK. Co-curated by Kathleen Soriano, Director of Exhibitions at the Royal Academy, David Buckland, Director of Cape Farewell, and, Edith Devaney, Royal Academy Multiverse: Directions for the World, A.L.I., Rome, Italy.
2008 50 Moons of Saturn, T2 Torino Triennale, Turin, Italy. Curated by Daniel Birnbaum.
Peripheral Vision and Collective Body, Museion Bolzano, Bolzano, Italy. Curated by Letizia Ragaglia. Experiment Marathon Reykjavik, Reykjavik Art Museum, Reykjavik, Iceland. Curated by Hans Ulrich Obrist.
Kunst Naturligvis, Esbjerg Kunstmuseum, Esbjerg, Denmark. Curated by Christiane M. Finsen.
We have a dream, Spazio Gerra, Reggio Emilia, Italy. Curated by Marinella Paderni.
Art Focus 5: Can Art Do More?, Jerusalem, Israel. Curated by Ami Barak and Bernard Blistene.
ROOMING IN! Claus Andersen visits Patricia Low, Patricia Low Contemporary, Gstaad, Switzerland.
Psycho Buildings – Artists and Architecture, Hayward Gallery, London, UK. Curated by Ralph Rugoff.
Sonsbeek 2008: Grandeur, Arnhem, Netherlands.
Greenwashing, Fondazione Sandretto Re Rebaudengo, Turin, Italy. Curated by Ilaria Bonacossa.
Megastructure Reloaded, Raumlabor, Berlin, Germany. Curated by Sabrina van der Ley and Markus Ritcher.
48°C Public.Art.Ecology, Delhi, India. Curated by Gayatri Uppal. Dome Culture in the 21st Century, Art in General, New York, USA. Curated by Eva Díaz.
2007
Brave New Worlds, Walker Art Center, Minneapolis, USA. Curated by Yasmil Raymond.
Hector German Oesterheld, La Aventura Continua, Museo de Arte y Memoria, Buenos Aires, Argentina.
Poetic Cosmos of the Breath, Air Show Gunpowder Park, London, UK. Curated by Rob La Frenais.
On Water, Art Basel, Basel, Switzerland.
In Cima alle Stelle. L’Universo tra Arte, Archeologia e Scienza, Aosta, Forte di Bard, Italy. Situazion Isola, a new Urbanism, Isola Art Center, Milan, Italy.
Weather Report. Climate Change and Visual Arts, Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria, Spain. Curated by Álvaro Rodríguez Fominaya.
The Domain of the Great Bear 3/3 Kosmische Sehnsucht, Kunstraum München e.V., Munich, Germany.
2006
On Mobility, Berlin Büro Friedrich, Berlin, Germany. On Mobility, De Appel, Amsterdam, Netherlands.
Buenos dias Santiago, Museo de Arte Contemporaneo, Santiago de Chile, Chile.
I still believe in miracles*, ARC (Musée d’Art moderne de la Ville de Paris), Paris, France.
Reconstruction 1, Sudeley Castle, Gloucestershire, UK. Curated by Mollie Dent-Brocklehurst and Elliott McDonald.
Presented by, Galerie Andreas Huber, Vienna, Austria.
2005
Luna Park. Fantastic Art, Villa Manin Centre for Contemporary Art, Codroipo, Italy.
The Opening, Andersen’s Contemporary, Copenhagen, Denmark. Project Rotterdam, Museum Boijmans Van Beuningen, Rotterdam, Netherlands.
Pursuit of Happiness, Leidsche Rijn, Netherlands. La Strada, Fuori uso 2005, Pescara, Italy. Curated by Agnes Kohlmeyer.
Sehnsüchtig gleiten Ballone rund um die Welt, Green Light Pavilion, Berlin, Germany. Curated by Christiane Rekade.
2004
What is in my apartment when I’m not there, Berlin, Germany. Curated by Christiane Rekade and Caroline Eggel.
Open Duende, Duende, Rotterdam, Netherlands.
Universal Outstretch, Flaca Gallery, London, UK.
ZIM- Zwaanshals in Motion, Rotterdam, Netherlands. Curated by Daniela Swarowsky.
Do It. Curated by Hans-Ulrich Obrist. Presented by electronic flux corporation.
2003
Here we come!!! Kunststudentinnen und Kunststudenten stellen aus,
Kunst und Ausstellungshalle der Bundesrepublik Deutschland (Bundeskunsthalle), Bonn, Germany.
Un-build Cities, Kunstverein Bonn, Bonn, Germany. Curated by Annelie Pohlen.
Art-gentina, The Buena Vista Building, Miami, USA.
2002
X-position, Architekturzentrum Wien, Vienna, Austria. Peace (end) love istruzioni per la possibilità, Palazzo Bonaguro, Bassano, Italy. Xposition, Berlage.
Institute, Rotterdam, Netherlands. El Suelo en Renuncio, Ministerio de fomento Arquería de los Nuevos Ministerios, Madrid, Spain.
2001
Real Presence, Tito Museum, Belgrade, Serbia and Montenegro. Curated by Biljana Tomic. Neue Welt, Kunstverein Frankfurt, Frankfurt, Germany. Curated by Nicolaus Schafhausen. Rundgang, Städelschule, Frankfurt am Main, Germany.
1999
City Editing, Fundación proa, Buenos Aires, Argentina. Siglo XX arte y cultura en la Argentina, Centro Cultural Recoleta, Buenos Aires, Argentina. 1998 Objetos de jóvenes artistas, Centro Cultural Recoleta, Buenos Aires, Argentina.
Premios
2022
Premio Konex de Platino, Visual Arts Prize. Argentina.
2019
Golden Madonnina, Design Prize. Italia.
2010
1822 -Kunstpreis. Alemania.
2009
Alexander Calder Prize. Francia / USA.
2003 -2004
Fondo Nacional de las Artes. Argentina
IUAV Venice. Italia.
Hessische Kulturstiftung Award and Residency in Rotterdam. Países Bajos.
2003
16. Bundeswettbewerb des Bundesministeriums für Bildung und Forschung (1st prize). Alemania.
Colecciones
Museo nazionale delle arti del XXI secolo – MAXXI, Rome, Italy. Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy.
K21 Ständehaus, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany.
Sammlung KiCo, Kunstmuseum Bonn and Lenbachhaus München, Germany.
Miami Art Museum, Miami, FL, USA.
Museum für Moderne Kunst, Frankfurt, Germany.
Museum of Modern Art, New York, USA.
San Francisco Museum of Modern Art, San Francisco, CA, USA
Walker Art Center, Minneapolis, MN, USA.
Nationalgalerie, Staatliche Museen zu Berlin, Berlin, Germany
Bonniers Konsthall, Stockholm, Sweden.
The National Gallery of Denmark, Copenhagen, Denmark
Esbjerg Kunstmusem, Esbjerg, Denmark.
Istanbul Modern Art Museum, Istanbul, Turkey.
Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany
Boros Collection, Berlin, Germany.
The Collection of Juan Vergez, Buenos Aires, Argentina
BSI Art Collection, Lugano, Switzerland.
Mudam Musée d‘Art Moderne Grand-Duc Jean, Luxembourg
Fondazione La Gaia, Busca, Italy.
Fondazione Pierluigi e Natalina Remotti, Camogli, Italy
Fondazione Morra Greco, Naples, Italy.
Fondazione Edoardo Garrone, Genoa, Italy
Lumas Foundation, Zurich, Switzerland Reykjavik Art Museum, Reykjavik, Iceland.
Becas y Residencias
2016
Goethe -Institut, Londres, UK.
2016
RAVE residency, Villa Manin, Udine, Italia.
2014 – 2015
Centre National d’Études Spatiales (CNES), Paris, Francia.
2012 – actualidad
MIT Center for Art, Science & Technology (CAST), Cambridge, USA.
2010
Atelier Calder in Saché, Francia, (Recipient of Calder Price and Calder Residency).
Walker Art Center, Minneapolis, USA.
2003 – 2004
Hessische Kulturstiftung, Rotterdam, Países Bajos.