TOMÁS SARACENO

Saraceno’s work unfolds at the intersection between art, architecture, science, technology, and activism. He attempts to contribute knowledge and collective experiences that help us grapple with some of the most urgent issues facing the present. His projects call attention to the need to innovate how we live and to explore alternative and sustainable forms of transportation, communication, and habitability.

Some of his work ensues well outside the art circuit, that is, in the air or in natural settings like deserts or salt mines, and in dialogue with local communities. Often at stake in his exhibitions are radical proposals that modify the traditional uses of the museum or gallery space, involving the audience in challenging bodily experiences that sometimes call for cooperation. Some of his works engage phenomena outside the range of the visible—vibrations that occur between bodies and materials, for instance—or nonhuman inhabitants of the place in question—spiders, for instance—as participants and recipients. In that sense, in each project the artist weaves together an organic system of relationships between audience and setting to open up communication channels and sociability that cross the borders between senses and species.

Saraceno is an observer of the planet. He finds formal and aesthetic connections between phenomena as disparate as the rhythms of air currents and the ecosystemic networks that make up the atmosphere and the biosphere. He brings those phenomena into his production as sculpture, installation, and photography. Often in conjunction with scientific institutions, he works with an enormous team of collaborators and specialists on research that combines different realms of knowledge. At the juncture between the utopian and the possible, Saraceno’s artistic practice expands the limits of contemporary art to open up new horizons. His interests at the intersection of the microscopic and the cosmic encompass interlinked areas of study and action to design and propel projects of social and environmental transformation.

Selected Works

Ibytu 14.0
2025 Hand blown partially mirrored glass, polyester rope 65 x 116 x 83 cm (Available)
CONSULTAR
Arachne's handwoven Spider/Web Map of KKh 060 by a solo Cyrtophora citricola - three weeks
2025 Hand woven black thread on cotton canvas 152 x 235 cm (Available)
CONSULTAR
Cirrocumulus stratiformis
2024 50 modules steel alloy, mirror panels, line 50 x 90 x 45 cm (Available)
CONSULTAR
Foam SB 130/12p
2024 Glass, adhesive 65 x 68 x 71 cm (Available)
CONSULTAR
Aerocene Seoul
2024 Vista de sala Leeum Museum of Art, Seoul
Complementarities
2024 Vista de sala Red Brick Art Museum, Beijing
Ha Chi Ki...
2023 White paper. Ink, soap, wood frame 72 x 110 cm (Available)
CONSULTAR
Ha Chi Ki...
2023 White paper. Ink, soap, wood frame 72 x 110 cm (Available)
CONSULTAR
Web(s) of Life
2023 Vista de sala Serpentine Gallery, London
Particular Matter(s)
2022 Vista de sala The Shed, New York
Hybrid Dark semi-social Cluster HD 195810 built by: a solo Cyrtophora citricola - four weeks, rotated 180°
2021 Spidersilk carbon fibre, glass, acrylic, ink 28.6 x 39 x 29 cm (Available)
CONSULTAR
Fly with Aerocene Pacha (print series 2)
2021 Digital photography, wood frame 40 x 63 cm 4/6 (Available)
CONSULTAR
Hybrid dark semi-social Cluster GC 12406 built by: a duet of Cyrtophora citricola - eight weeks, rotated 180°
2019 Spidersilk, carbon fibre, glass, ink, metal 28.6 x 29.1 x 29.1 cm (Available)
CONSULTAR
ON AIR
2018 Vista de sala Palais de Tokyo, Paris
A Thermodynamic Imaginary
2018 Vista de sala MAAT, Lisbon
Horizonte de eventos
2017 Vista de sala Ruth Benzacar, Buenos Aires
Biosphere/17
2017 Polyester rope, fishing line. Edition of 3 400 x 400 cm (Available)
Cómo atrapar el universo en una telaraña
2017 Vista de sala Museo de Arte Moderno, Buenos Aires
Re-entry
2016 Digital photography, black steel frame 100 x 150 cm 4/6 (Available)
CONSULTAR
ON SPACE TIME FOAM
2012 Vista de sala Pirelli HangarBicocca, Milan
On the Roof: Cloud City
2012 The Metropolitan Museum of Art, New York
Cloud Cities
2011 Vista de sala Hamburger Bahnhof, Berlin
Galaxies Forming along Filaments, like Droplets along the Strands of a Spider's Web
2009 Vista de sala 53rd Biennale di Venezia, Venice
Observatory, Air-Port-City
2008 Vista de sala Hayward Gallery, London
Cumulonimbus - Air-Port-City
2006 Vista de sala 27th Bienal de São Paulo, São Paulo

TOMÁS SARACENO CV

Born in 1973 in Tucumán, Argentina.

He studied architecture at the Universidad Nacional de Buenos Aires and received postgraduate degrees from the Escuela Superior de Bellas Artes Ernesto de la Cárcova, Buenos Aires (2000) and the Staatliche Hochschule für Bildende Künste -Städelschule-Frankfurt am Main (2003). In 2009, he attended the International Space Studies Program at the NASA Ames Center in Silicon Valley CA, and that same year received the prestigious Calder Award.

Among his numerous exhibitions since the late 1990s, Saraceno’s solo presentations include: Cisternerne, Copenhagen (2020); Palazzo Strozzi, Florence (2020); MAAT Museum of Art, Architecture and Technology, Lisbon (2018); Fosun Foundation, Shanghai (2018); Palais de Tokyo, Paris (2018); Baltimore Museum of Art, Baltimore (2017); Museo de Arte Moderno, Buenos Aires (2017); SFMOMA San Francisco Museum of Modern Art, San Francisco (2016); Solutions COP21, Grand Palais, Paris (2015); 21er Haus, Vienna (2015); Cheorwon Peace Observatory, DMZ Cheorwon-gun (2014); K21 Kunstsammlung Nordrhein-Westfalen, Ständehaus, Düsseldorf (2013); Metropolitan Museum of Art, New York (2012); Hangar Bicocca, Milan (2012); Hamburger Bahnhof – Museum für Gegenwart, Berlin (2011); Kemper Art Museum at Washington University, St. Louis (2011); MACRO Museum of Modern Art, Berlin (2011). Louis (2011); MACRO Museo d’Arte Contemporanea, Rome (2011); Walker Art Center, Minneapolis (2009); Statens Museum for Kunst, Copenhagen (2009); Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, Luxembourg (2009); Barbican Art Centre, London (2006).

He has  participated in numerous group exhibitions, including: EXPO 2025, Osaka (2025); Castello di Rivoli (2024); Philharmonie, Paris (2022); Rijksmuseum, Amsterdam (2022); Fundación PROA, Buenos Aires (2022); CCK, Buenos Aires (2021); The Shed, New York (2021); Serpentine Gallery, London (2021); Villa Borghese, Rome (2020); Museo Nacional Thyssen-Bornemisza, Madrid (2019); Musée du Louvre, Paris (2015); Palais de Tokyo, Paris (2015); M+, Hong Kong (2013); KUNSTEN, Aalborg (2010); Barbican, London (2009); among others.

Tomás Saraceno has participated in numerous festivals and biennials, such as the first Enova Biennial, Langfang (2024) – The Gangwon Triennial (2024) – The Thailand Biennial,, Chiang Rai (2023) – The Aerocene Foundation for the 17th International Architecture Exhibition – La Biennale Architettura (2020); the 58th International Art Exhibition – La Biennale di Venezia, Venice (2019), and the 53rd International Art Exhibition – La Biennale di Venezia, Venice (2009).

He lives and works in Berlin.

Individual exhibitions

2026

Interwoven, New Taipei City Art Museum , Taiwan.

 

2025

tomás saraceno i, neugerriemschneider, Berlin, Germany.

 

2024

ANIMA∞LE, Pinksummer, Genoa, Italy.

Worldings , Andersen’s Contemporary, Copenhagen, Denmark.Complementarities, Red Brick Art Museum, Beijing, China. Curated by Yan Shijie.

Live(s) on Air, Tanya Bonakdar Gallery, Los Angeles, USA.

Life of Webs, Espace Muraille, Geneva, Switzerland. Curated by Laurence Dreyfus.

 

2023

Tomás Saraceno in Collaboration: Web(s) of Life, Serpentine Galleries, London, UK. Curated by Lizzie Carey -Thomas & Chris Bayley.

Tomás Saraceno: Entangled Air, Haggerty Museum of Art, Marquette University, Milwaukee, USA. Curated by Somesh Roy.

 

2022

Tomás Saraceno: Ocean(s) of Air, Museum of Old and New Art, Hobart, Tasmania, Australia. Curated by Emma Pike and Olivier Varenne.

Tomás Saraceno: Particular Matter(s), The Shed, New York, USA. Curated by Emma Enderby.

Silent Autumn, Tanya Bonakdar Gallery, New York, USA.

 

2021

Inter+Play Season 2, Towada Art Center, Towada, Japan. Curated by Kodama Kanazawa and Meruro Washida.

We do not all breathe the same air, neugerriemschneider gallery, Berlin, Germany.

AnarcoAracnoAnacroArcano, Parco Archeologico della Neapolis, Syracuse, Italy. Curated by Paolo Falcone.

Du Sol au Soleil, Domaine des Etangs, Massignac, France. Curated by Rebecca Lamarche – Vadel.

 

2020

Song for the Air, Hessisches Landesmuseum Darmstadt, Darmstadt, Germany. Curated by Martin Faass.

Moving Atmospheres, Garage Atrium Commission, Moscow, Russia. Curated by Iaroslav Volovod.

Event Horizon, Cisternerne, Copenhagen, Denmark. Curated by Sara Hatla Krogsgaard.

Aria, Palazzo Strozzi, Florence, Italy. Curated by Arturo Galansino.

Fly with Aerocene Pacha, a project by Tomàs Saraceno, produced by the Aerocene Foundation for CONNECT, BTS, curated by DaeHyung Lee, Seoul, South Korea. Human free-flight, Salinas Grandes, Argentina; Film screenings and exhibition “Vuela con Aerocene Pacha,”, Centro Cultural Kirchner, Buenos Aires.

 

2019

Algo -r(h)i(y)thms, Esther Schipper Gallery, Berlin, Germany.

Tomás Saraceno, Gallery Hyundai, Seoul, South Korea.

Tomás Saraceno, Tanya Bonakdar Gallery, Los Angeles, USA.

 

2018

ON AIR, Palais de Tokyo, Paris, France. Curated by Rebecca Lamarche -Vadel.

Albedo, Pinksummer Contemporary Art, Genoa, Italy.

Solar Rhythms, Tanya Bonakdar Gallery, New York, USA.

A Thermodynamic Imaginary, MAAT, Museum of Art, Architecture and Technology, Lisbon, Portugal. Curated by Pedro Gadanho and Rita Marques.

Aerographies, Fosun Foundation, Shanghai, China.

 

2017

Gravitational Waves, Z33, Genk, Belgium. Curated by Jan Boelen.

Entangled Orbits, Baltimore Museum of Art, Baltimore, USA. Curated by Kristen Hileman.

Event Horizon, Ruth Benzacar Gallery, Buenos Aires, Argentina.

Our Interplanetary Bodies, Asia Culture Centre, Gwangju, South Korea. Curated by Sung Won Kim.

Aerosolar Journeys, Museum Haus Konstruktiv, Zürich, Switzerland. Curated by Sabine Schaschl.

How to entangle the universe in a spider web, Museo de Arte Moderno, Buenos Aires, Argentina. Curated by Victoria Noorthoorn.

Re -opening In Orbit, K21 Ständehaus, Düsseldorf, Germany. Curated by Juliane Von Herz.

Aerosolar Journeys, Wilhelm -Hack Museum, Ludwigshafen, Germany. Curated by René Zechlin.

 

2016

Stillness in Motion. Cloud Cities, SFMOMA, San Francisco Museum of Modern Art, San Francisco, USA. Curated by Joseph Becker.

163,000 Light Years, MARCO, Museum for Contemporary Art, Monterrey, Mexico. Curated by Gonzalo Ortega.

Solar Bell Ensemble, Contemporary Arts Center, Cincinnati, USA. CAC Director Raphaela Platow.

Aerocene, Esther Schipper, Berlin, Germany.

Many suns and worlds, Vanhaerents Art Collection, Brussels, Belgium. Commissioned by the

Vanhaerents family.Dark Cosmic Web, Pinksummer Contemporary Art, Rome, Italy.

Cloud City installation, Oklahoma Contemporary Arts Center, Campbell Art Park, Oklahoma City, USA.

 

2015

Aerocene , Solutions COP21, Grand Palais, Paris, France, United Nations Climate Change Conference COP21.

Aerocene, Espace Muraille, Geneva, Switzerland. Curated by Laurence Dreyfus, Caroline and Eric Freymond.

Arachnid Orchestra. Jam Sessions, NTU Centre for Contemporary Art, Singapore. Curated by Ute Meta Bauer and Anca Rujoiu.

Becoming Aerosolar, Haus21er, Vienna, Austria. Curated by Mario Codognato.

14 Billions (Working Title), SKMU Sørlandets Kunstmuseum, Kristiansand, Norway. Curated by Else – Brit Kroneberg.

Hybrid solitary… semi -social quintet… on cosmic webs…, Tanya Bonakdar Gallery, New York, USA.

 

2014

Cosmic Jive, Tomás Saraceno: The Spider Sessions, Villa Croce, Genoa, Italy. Curated by Ilaria Bonacossa and Luca Cerizza.

Iridescent Planet, Pinksummer Contemporary Art, Genoa, Italy.

Real DMZ Project, Cheorwon Peace Observatory, DMZ, South Korea. Co-curated by Sunjung Kim and Nikolaus Hirsch.

 

2013

In Orbit, K21 Ständehaus, Düsseldorf, Germany. Curated by Marion Ackermann and Susanne Meyer -Büser.

Social .. Quasi Social .. Solitary .. Spiders … On Hybrid Cosmic Webs, Esther Schipper Gallery, Berlin, Germany.

Tomás Saraceno, Andersen’s Contemporary, Copenhagen, Denmark.

 

2012

Cloud City, Roof Garden Installation, Metropolitan Museum of Art, New York, USA. Curated by Anne L. Strauss.

On Space Time Foam, Hangar Bicocca, Milan, Italy. Curated by Andrea Lissoni.

Cloud Cities, Maison Hermès, Tokyo, Japan. Curated by Rodrigo Alonso.

Tomás Saraceno, Taidehalli Kunsthalle Helsinki, Finland. Curated by Maija Koskinen.Air-Port -City/Cloud Cities, Tanya Bonakdar Gallery, New York, USA.

 

2011

Cloud Cities, Hamburger Bahnhof -Museum für Gegenwart, Berlin, Germany. Curated by Britta Schmitz.

Cloud -Specific, Kemper Museum of Contemporary Art, St. Louis, USA. Curated by Meredith Malone.

Cloudy Dunes. When Friedman Meets Bucky On Air-Port -City, MACRO, Museo d’Arte Contemporanea, Rome, Italy. Curated by Luca Massimo Barbero.

Labor, K20 Grabbeplatz, Nordrhein -Westfalen, Düsseldorf, Germany. Director Marion Ackermann.

 

2010

Cloud Cities: Connectome, Tanya Bonakdar Gallery, New York, USA.

14 Billions (working title), Bonniers Konsthall , Stockholm, Sweden. Contributors: Sara Arrhenius, Helena Granström, Jeffrey Kastner, Hans-Ulrich Obrist.

Cloud -Cities, Pinksummer Contemporary Art, Genoa, Italy.

Tomás Saraceno, Baltic Centre for Contemporary Art, Gateshead, UK. Curated by Alessandro Vincentelli.

Sculpture project ROSSMARKT3, Frankfurt, Germany. Curated by Juliane von Herz.

Tomás Saraceno: Lighter than air, Blaffer Art Museum, University of Houston, USA. Curated by Yasmil Raymond.

From Camogli to San Felipe, spiders weaving stars, Fondazione Pierluigi e Natalina Remotti, Camogli, Italy.

Tomás Saraceno, Andersen’s Contemporary, Copenhagen, Denmark.

 

2009

Tomás Saraceno: Lighter than air, Walker Art Center, Minneapolis, USA. Curated by Yasmil Raymond.

Tomás Saraceno, MUDAM Musée d‘Art Moderne Grand-Duc Jean, Luxembourg (in the framework of the cycle «Habiter»). Commissioned by Marie -Noëlle Farcy.

Cloudy House, Andersen’s Contemporary, Berlin, Germany.

 

2008

Galaxies forming along filaments, like droplets along the strands of a spider webs, Tanya Bonakdar Gallery, New York, USA.

Cloudy Dunes, Fondazione Garrone, Genoa, Italy.2007

Opening, AEREA Christian Larsen, Stockholm, Sweden.

Biosphere MW32 Air -Port -City, Pinksummer Contemporary Art, Genoa, Italy.

Air-Port -City, De Vleeshal, Middelburg, The Netherlands.

Microscale, Macroscale and Beyond: Large-Scale Implications of Small -Scale Experiments, Berkeley Art Museum, Berkeley, USA.

 

2006

Air-Port -City, Tanya Bonakdar Gallery, New York, USA.

Cumulus, Barbican Art Centre, London, UK.

On Water, Centre d’Art Santa Monica, Barcelona, Spain.

Cloudy Dunes_Air -Port -City, Attitudes – espace des arts contemporains, Geneve, Switzerland.

Infinitive Actives, Portikus, Frankfurt, Germany.

 

2004

On -Air, Pinksummer Contemporary Art, Genoa, Italy.

 

2003

In-migration, University of Kaiserslautern, Kaiserslautern, Germany.

 

2000

612 Planetas, Parque Planetario, Buenos Aires, Argentina.

 

1998

Luces de estrella, Escuela Nacional de Bellas Artes Ernesto de la Cárcova, Buenos Aires, Argentina.

Awards

2022

Premio Konex de Platino, Visual Arts Prize. Argentina.

 

2019

Golden Madonnina, Design Prize. Italy.

 

2010

1822 -Kunstpreis. Germany.

 

2009

Alexander Calder Prize. France / USA.

 

2003 -2004

Fondo Nacional de las Artes. Argentina.

IUAV Venice -Italy. Italy.

 

2003 -2004

Hessische Kulturstiftung Award and Residency in Rotterdam. Netherlands.

 

2003

16. Bundeswettbewerb des Bundesministeriums für Bildung und Forschung (1st prize). Germany.

Scholarships and Residences

2016

Goethe -Institut, London, UK.

RAVE residency, Villa Manin, Udine, Italy.

 

2014 – 2015

Centre National d’Études Spatiales (CNES), Paris, France.

 

2012 – ongoing

MIT Center for Art, Science & Technology (CAST), Cambridge, USA.

 

2010

Atelier Calder in Saché, France, (Recipient of Calder Price and Calder Residency).

Walker Art Center, Minneapolis, USA.

 

2003 – 2004

Hessische Kulturstiftung, Rotterdam, Netherlands.

VILLA CRESPO
Juan Ramirez de Velasco 1287
(1414) Buenos Aires, Argentina

Tuesday to Saturday from 14 a 19hs.
Phone: +54 11 4857-3322
PUERTO MADERO
Juana Manso 1549
Buenos Aires, Argentina

Monday to Friday from 12 a 19hs.